Assisted Living
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Chicago Tribune ***½
Greenebaum's debut is one of the strongest for a young American indie moviemaker in several years: a stirringly realistic, humane comedy-drama that's full of invention, truth and life.

Dallas Morning News
Lovely and Loving. Assisted Living is one from the heart and deserves to find a wide audience.Those
who see it will leave the theatre feeling positive about the human condition.

The New Yorker
"A transforming, moving experience."

Los Angeles Times
While most recent American independent films grasp for a low-budget version of Hollywood slick or embrace a type of forced quirkiness that at least one critic referred to as "the curse of Wes Anderson," few embody the type of genuine offbeat charm that was seen in films like Richard Linklater's "Slacker" in the early '90s. Writer-director Elliot Greenebaum's "Assisted Living," however, is authentically unconventional — opening in the form of an almost convincing mock documentary — but it gradually evolves into something more deeply affecting.

Washington Post
"'Assisted Living' never gets old!"

Washington Post (2nd Review)
"This quiet, often meditative film is filled with observant, graceful touches that suggest the assured hand of a veteran filmmaker."

New York Newsday***
"Riley is the star. A one-time circus performer, she returned to the theater and acting at age 60 (she's now 80) and her performance as Mrs. Pearlman is right on the money."

Slate
Assisted Living jells. Maggie Riley is astoundingly convincing, and she and Bonsignore's Todd have an unforced chemistry that catches you off guard.

San Francisco Bay Guardian
Elliot Greenebaum's first feature intriguingly mixes elements of vérité, improv, mock-doc and scripted seriocomedy and builds into something that rewards with considerable truth, poignancy, and grace.

Christian Science Monitor
"Gently filmed, quietly thoughtful, sometimes almost heartbreaking."

AARP Magazine****
Greenebaum's setting and his troupe of amateur actors bring rare authenticity to the film, which manages to be both funny and earnest at the same time.

New York Times
"As the camera fixates on frail, spotted trembling hands unsteadily reaching out, it is impossible not to imagine a future in which those hands could be yours."

Pop Matters
"Assisted Living raises other questions, having to do with the ways that fictions shape everyone's lives, the faces you put on and the stories you tell (yourself and others), to get through each day. Shot at a real assisted living home, the Masonic Homes of Kentucky, and featuring real staff members and residents, the film uses its part-documentary structure to explore such profound fictions, the ways all narratives, all identities, might be understood as efforts to stave off daily, unfixable fears -- of incoherence, of loss, of rejection. The easy moral to draw is that everyone needs assistance in living, but the more difficult truth is that living is illusory always."

Indiewire
"Greenebaum is an alchemist, combining real moments and real people, documentary style, with an exceptional story and what ensues is a magical film."

TV Guide ***½
"Greenebaum's film deals honestly with the elderly without a trace of condescension, and it can be very funny. The chemistry between Todd and Mrs. Pearlman is often wonderful, but the film's best moments are those which show the facility's residents simply doing what they do. . . Greenebaum manages to portray old-age as a condition with its own peculiar beauty and considerable grace."

New City Chicago
"Assisted Living is an audacious work of hope, compassion and grace."

Long Beach Press Telegram***
Greenebaum intersperses scenes with his actors with shots from the nursing home, his camera lingering on the resident's bony fingers and swollen feet, capturing small moments of triumph (putting on a sock, for instance) and heartbreak (a hand searching for an object that isn't there). The result is a blend of fact and fiction that feels like a breath of fresh air in a medium that too often trivializes the hard realities of age.

Film Threat ****
"It’s absolutely pretty to look at throughout – magnificently shot! Filmed at a real nursing home with many of the actual patients making appearances, it’s difficult at first to tell whether this is a documentary or a fictional work and this makes “Assisted Living” all the more involving."

Catholic News Service
"Directed by first-timer Elliot Greenebaum, "Assisted Living" manages, despite its no-frills look, to offer a moving meditation on loneliness and the human need for contact and compassion."

FilmCritic.com
Generously appreciates the very human conditions of its characters and culminates in a unique story worthy of attention.

Variety
"Assisted Living will connect with audiences tired of Hollywood's sentimental portrayals of growing old. It will also draw inevitable comparison to 'One Flew Over the Cuckoo's Nest'."

Joe Critic
Greenebaum treats his subjects with the greatest respect, almost love.



Elliot on NPR's Kojo Nnamdi Show
Radio Interview with Elliot

Elliot on NPR's On Second Thought
Radio Interview with Elliot

Interview with Elliot on Coping with Caregiving
Radio Interview with Elliot

NPR's Morning Edition
Interview with Elliot Greenebaum

New York Times Magazine & Letters to the Editor
"Like a cross between Errol Morris and Todd Solondz."

San Francisco Chronicle
Feature story about Producer Alex Laskey & Elliot Greenebaum

Online Interview with Elliot Greenebaum

new yorker cartoon
The New Yorker Cartoon. (click to see full size)

NY MAG Brilliant & Highbrow
New York Magazine "Approval Matrix."  Assisted Living is "Highbrow" & "Brilliant"  (click to see full size)

esquire's 7 deepest questions
Esquire's  "7 Most Remarkable Things in Culture This Month."   (click to see full size)

Hadassah
Hadassah Magazine story about Maggie Riley, the actress who plays Mrs. Pearlman (click to see full size)









 

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